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Brian Henson, producer of the show, recalled the genesis of the show in a 2006 interview stating, "we began doing puppet improv workshops to hone our comedy skills and realized that we were having so much fun that audiences might enjoy watching too." In the fall of 2005 a show was performed in the sound stage of the Jim Henson Studios for friends and invited industry guests. In June 2006, puppets were designed by Julianne Buescher and Drew Massey; the puppets were built by Buescher, Massey, Patrick Johnson, and Sean Johnson with help and guidance from veteran Muppet designer/builder Jane Gootnick.

The two shows were so successful that the group was invited to Aspen for the U. The puppet cast includes: were newly created for the show, some existing puppets from past productions were recycled for the project (especially the earlier shows).

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The scene begins with one of the players starting the sentence with a letter. The show is strongly advertised for "adults only" and as "uncensored." However one rare and "exclusive" set of shows "for children" was held in Edinburgh in 2006.The sketches in the live show are not pre-planned, and the shows contain all true improv.Trio Libero, convened by UK saxophonist Andy Sheppard, proposes music of graceful lyrical invention and emotional depth.On the debut recording of this free-spirited group, freedom is extended to melodies given room to breathe and to grow.

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It’s never easy for any band when creative differences cause the group to split in half; it’s even harder when one of the people leaving the band is the principal songwriter and lyricist. At the Disco (yes, the exclamation point is back), now a duo of singer Brendon Urie and drummer Spencer Smith after guitarist Ryan Ross and bassist Jon Walker left the band soon after the release of the band’s retrotastic sophomore album , which synthesized ideas from the band’s first two albums but sports a decidedly contemporary feel. BE: I kept reading that Ryan and Jon’s desire to make more retro-style music while you were more interested in making something more contemporary, but from where I’m standing, ] style because it was one of the first ones we had after the split, and that was the type of stuff we were writing.

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